{"title":"12\"","description":"\u003cp\u003eBrowse our 12\" collection. New Arrival.\u003c\/p\u003e","products":[{"product_id":"playgrounded-the-death-of-death-12","title":"Playgrounded \"The death of Death\" 12\"","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDue to this item being an import, the ship date has been set to allow for potential delays. We expect the item to ship sooner and we will adjust the ship date once we have final confirmation.\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGreece has spawned countless instances of criminally underrated music acts in diverse genres ranging from black metal to electronic to avant garde pop music, and the sophomore al- bum of modern progressive metal act \u003cstrong\u003ePLAYGROUNDED\u003c\/strong\u003etitled ‘The death of Death’ is yet another striking example.\u003c\/p\u003e\n\u003cp\u003e“Where did this come from?” you will find yourself wondering, while absorbing the stunning intensity and musical prowess on display. From the perfection of the production and the inherent innovation in defining heaviness by means of not only down-tuned guitars, but also elements of electronica are the pillars of an intriguingly idiosyncratic, incredibly mature sound.\u003c\/p\u003e\n\u003cp\u003eHailing from Greece, but spending most of their time in the Netherlands, the musical pedigree of the members of \u003cstrong\u003ePLAYGROUNDED\u003c\/strong\u003e is quite unprecedented in the metal\/rock underground. Main composer and producer Orestis Zafeirou is a graduate from the Institute of Sonology of the Royal Conservatoire of The Hague, a department focused on electronic music education and production research. Additionally, he works in a synth factory. Vocalist and co-producer Stavros Markonis graduated from the Amsterdam conservatoire and is an award-winning composer for film and TV. Bass player Odysseas Zafeiriou and guitar player Michael Kotsirakis both work as computer engineers, while drummer Giorgos Pouliasis is a graduate from the Rotterdam Conservatoire, as well as a drum teacher and a popular session musician in Greece as well as in the Netherlands.\u003c\/p\u003e\n\u003cp\u003eStarting out in 2007, PLAYGROUNDED have been together for over 15 years, playing both national and international tours, while also opening for bands like Riverside and Anathema and even Nine Inch Nails in Amsterdam. Their first EP Athens (2012, Casket Music) portrays an already mature band playing modern prog rock influenced by Tool and Deftones. Their debut full-length In Time With Gravity (2017) shows the band in full flux, experimenting with extended compositions as well as influences from influential contemporary electronic music acts like Modeselektor and Moderat.\u003c\/p\u003e\n\u003cp\u003ePLAYGROUNDED's sophomore album lives up to the aspiration of its lofty album title. The death of Death is music that results from mastery rather than lacklustre exploration and experimentation. The album was recorded at MD Recording Studios by Nikos Michalodimitrakis, long collaborator of Stavros in film productions. Mixing was handled by C.A.Cederberg (Leprous, Anathema, Shining, and more) in Kristiansand, NO, while the album was mastered by George Tanderø (Madrugada, Satyricon, Jaga Jazzist, and more) in Oslo, NO.\u003c\/p\u003e\n\u003cp\u003eDemonstrating a profound understanding of the glitches they produce, PLAYGROUNDED evoke a sense of the uncanny closely related to the cut-up movie fragments of sound artists like the German Orson Hentschel. “\u003cem\u003eWe start with dynamic sound design structures, most of the times initiated by Orestis,\u003c\/em\u003e” explains guitarist Michael Kotsirakis. “\u003cem\u003eWe then work in pairs expanding the musical space and creating variations and flourishes. Sometimes the lyrics and vocals will dictate a change in quality, other times it's one of the instruments. After many ideas are on the table Stavros and Orestis sit together and propose a song structure. After this loop has been repeated over and over we have a very good idea of all the parts. That's when we hit the rehearsal space and refine the details.\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp\u003eThe result is a collection of songs that reveal PLAYGROUNDED as composers in the act of decomposition. The memorable guitar riffs and vocal melodies serve as gateways to a deeper layer of glitchy synth textures and liquid drumming, until the perspective of radical decomposition consumes one whole. “\u003cem\u003eThe shortest sound units become extended themes,\u003c\/em\u003e” explains main composer Orestis Zafeirou. “\u003cem\u003eSteady rhythmical blocks interact with unstable ones. Noise becomes tone and melody. Sonic grains gather to form masses, masses dissolve into a single entity. With every repetition, comes change.\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp\u003eOn The death of Death, \u003cstrong\u003ePLAYGROUNDED\u003c\/strong\u003e analyse and take apart their surroundings, reducing reality to its smallest components, subsequently converting them into sound to create a new platform - a representation of reality from which they build their artistic vision. In essence The death of Death is dialectical, a study of unity in opposition. A disclosure of contradictory aspects of reality, an expression of their mutual relationship. From these contradictions the band manages to construct a brooding world of dark magnificence. The death of Death has the appeal of a film score that slowly starts to haunt you as the movie progresses. The more you listen to it, the more its sublime beauty becomes apparent.\u003c\/p\u003e","brand":"Playgrounded","offers":[{"title":"Black","offer_id":54798264762686,"sku":"tzx1793347315969","price":17.02,"currency_code":"USD","in_stock":true},{"title":"Single Colour Edition","offer_id":54798264795454,"sku":"wbg1793347315970","price":17.68,"currency_code":"USD","in_stock":true},{"title":"Swan Edition","offer_id":54798264828222,"sku":"oou1793347315971","price":18.24,"currency_code":"USD","in_stock":true},{"title":"Rituals Edition","offer_id":54798264860990,"sku":"oxc1793347315972","price":17.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0942\/4312\/7614\/files\/playgrounded-the-death-of-death-12_1.jpg?v=1793347322"},{"product_id":"corrosion-of-conformity-animosity-orange-brown-marbled-vinyl-12","title":"Corrosion Of Conformity \"Animosity (Orange \/ Brown Marbled Vinyl)\" 12\"","description":"\u003cp\u003eCorrosion of Conformity \"Animosity\" 12\" Vinyl\u003cbr\u003e-Officially licensed Corrosion of Conformity merchandise\u003c\/p\u003e\r\n\u003cp\u003eSIDE A\u003cbr\u003e01. 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In 2021, that band was French neo-classical post-rock ensemble \u003cstrong\u003eBRUIT ≤\u003c\/strong\u003e. Pronounced as \\'brü-ē\\ [French, literally, noise].\u003c\/p\u003e\r\n\u003cp\u003eWith their stunning debut, French art rockers Bruit have dropped an early contender for album of the year“, PROG exclaimed when the album was digitally released on Bandcamp in April 2021, and Neige from ALCEST found it to be „the best post rock I heard in a really long time“. We couldn’t agree more, but it would curtail this album’s scope, grandeur and vision if it were contextualized solely within the post rock world. It certainly does ft in there — but BRUIT ≤ are more than that, BRUIT ≤ are a class of their own.\u003c\/p\u003e\r\n\u003cp\u003eEmerging from the ashes of a number of French major label pop bands in 2016, \u003cstrong\u003eBRUIT ≤\u003c\/strong\u003e was born from the desire of the members to escape the nauseating world of music big business and to return to a pure process of creation without artistic constraints or commercial expectations. Initially the band performed their creative research and sonic experiments solely in a studio setting, but time has shown that the ensemble's artistic vision could not be limited to the recording environment alone. In the world of \u003cstrong\u003eBRUIT ≤\u003c\/strong\u003e, spontaneous experimentation, thoughtful composition and the aspect of performing in order to create are different but inevitably inseparable techniques of working on the same fabric: the black magic that is creating music. Artistic Identity comes from reconciling these different techniques and approaches of working on and with that fabric, and to understand this better while listening to this album, it helps to make yourself aware that one half of the musicians is classically trained, while the other half is not and barely knows how to read notes.\u003c\/p\u003e\r\n\u003cp\u003eThe shifting to and fro between theory and practice, between research and performance and between thought and action are ultimately also refections of the band’s fercely activist mindset. The social and environmentalist themes that this record is orbiting around are epitomized in aphoristic spoken word passages from the French far left geneticist Albert Jacquard on the album opener “Industry”, or from the 2011 documentary If a Tree Falls: a Story of the Earth Liberation Front in “Amazing Old Tree”, where the speaker claims that environmentalists are often called 'radical'... 'however, the reality is that 95% of the standing native forest in the United States has been cut down. It's not radical to save the last 5%, what's radical is logging 95%“.\u003c\/p\u003e\r\n\u003cp\u003eHowever, the emotive power of The Machine is Burning... stems not from the topical use of quotes, but from the act of creating overwhelming beauty through contrast between beauty and noise. BRUIT ≤ have everything a quintessential post-rock act needs to have, from an excessively long album name to drawn out compositions driven by atmosphere, and from samples of dramatic spoken word recordings to immaculate climaxes led by soaring, delay-soaked guitars. However, for those willing to look past the genre tropes, there are subtle moments where the band effortlessly fows from atmospheric post-metal to free jazz, and from folktronica to neo-classical avant garde improv.\u003c\/p\u003e\r\n\u003cp\u003eDISTORTED SOUND MAG hit the nail on the head in their 10\/10 review of the album:\u003c\/p\u003e\r\n\u003cp\u003e\"\u003cem\u003e'The Machine Is Burning And Now Everyone Knows It Could Happen Again' is a rare example of humanity achieving something above and beyond the norm, surpassing what is surely possible in emphatic style... it imposes no limitations upon itself and spirals into a cacophony of neatly woven musical styles... here is an album that does everything at once, crafted by a band that understand not only how to consolidate frequencies and sounds, but also how to fuse together juxtaposed sounds without leaving any of the stitching exposed. 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